1 00:00:24,084 --> 00:00:27,592 Get Shorty 1x01 "The Pitch" 2 00:00:27,899 --> 00:00:33,351 - Synced and Corrected by Dragoniod - www.addic7ed.com 3 00:00:33,967 --> 00:00:37,275 (BIRD SQUAWKING) 4 00:00:55,000 --> 00:00:56,000 (PEOPLE CHATTERING) 5 00:00:57,000 --> 00:00:58,000 (MUSIC PLAYING) 6 00:01:02,000 --> 00:01:03,995 (SPEAKS SPANISH) 7 00:01:04,000 --> 00:01:05,000 (SPEAKS SPANISH) 8 00:01:08,000 --> 00:01:10,000 (INDISTINCT CHATTER) 9 00:01:17,000 --> 00:01:19,000 AMARA: Sweetheart! 10 00:01:23,331 --> 00:01:24,321 Mas chicken? 11 00:01:24,326 --> 00:01:26,325 - Ah! - (CHUCKLES) 12 00:01:26,331 --> 00:01:29,326 Con salsa. I love the sauce. 13 00:01:29,331 --> 00:01:32,331 They're heating it up. I'll bring it to you. 14 00:01:38,331 --> 00:01:40,331 (TRUCK HONKING) 15 00:01:52,331 --> 00:01:54,326 (GRUNTING) 16 00:01:54,331 --> 00:01:56,331 (TIRES SCREECH) 17 00:02:00,331 --> 00:02:01,331 THUG: Let's go! Let's go! 18 00:02:19,331 --> 00:02:22,331 (PHONE RINGING) 19 00:02:26,227 --> 00:02:29,226 Hello, Jason? You hear me? 20 00:02:29,330 --> 00:02:31,329 JASON: (ON PHONE) No, please! 21 00:02:31,647 --> 00:02:33,647 Who you talk to? 22 00:02:35,647 --> 00:02:36,647 Tell me who you talk to. 23 00:02:37,647 --> 00:02:39,642 Nobody! 24 00:02:39,647 --> 00:02:41,642 Nobody, okay. 25 00:02:41,647 --> 00:02:44,642 You wag your fucking tongue, I cut it off. 26 00:02:44,647 --> 00:02:46,642 Give it to your friend at the bank, 27 00:02:46,647 --> 00:02:48,642 maybe he keep his mouth shut. 28 00:02:48,647 --> 00:02:50,642 - No! No! - THUG: Say ah. 29 00:02:50,647 --> 00:02:53,642 Ah. Ah! Ah! 30 00:02:53,647 --> 00:02:55,642 (SCREAMING) 31 00:02:55,647 --> 00:02:57,647 (JASON SCREAMING THROUGH PHONE) 32 00:03:01,647 --> 00:03:03,642 (CHUCKLES LIGHTLY) Thank you, sweetheart. 33 00:03:03,647 --> 00:03:06,642 (GASPS) You treat a lady so nice. 34 00:03:06,647 --> 00:03:07,647 Ah. 35 00:03:27,647 --> 00:03:28,647 (CHEWING) 36 00:03:36,647 --> 00:03:38,642 - You didn't like it. - I did. I did, yeah. 37 00:03:38,647 --> 00:03:41,642 You didn't. 38 00:03:41,647 --> 00:03:43,642 How do you know? I haven't said anything. 39 00:03:43,647 --> 00:03:44,647 That's how I know. 40 00:03:47,647 --> 00:03:48,642 Just didn't buy it. 41 00:03:48,647 --> 00:03:50,642 Which part? 42 00:03:50,647 --> 00:03:52,642 Forty guys in a motorcycle gang, 43 00:03:52,647 --> 00:03:54,642 and he just brings 'em all down? Come on. 44 00:03:54,647 --> 00:03:56,642 Well, you think it's too violent? 45 00:03:56,647 --> 00:03:59,642 The explosions, it doesn't mean anything. 46 00:03:59,647 --> 00:04:01,642 After a while you don't even notice 'em. 47 00:04:01,647 --> 00:04:03,642 - Dad, it's in 3D. - So? 48 00:04:03,647 --> 00:04:05,642 It's not supposed to mean anything. 49 00:04:05,647 --> 00:04:06,642 Oh. 50 00:04:06,647 --> 00:04:09,642 Remember we went to see Steve McQueen in The Great Escape? 51 00:04:09,647 --> 00:04:11,642 Now that was real motorcycles, no computers. 52 00:04:11,647 --> 00:04:13,642 You only like old movies. 53 00:04:13,647 --> 00:04:15,642 - That's not true. - Yeah. 54 00:04:15,647 --> 00:04:16,642 - Hey. - Hi. 55 00:04:16,647 --> 00:04:18,642 - EMMA: Hey. - How was it? 56 00:04:18,647 --> 00:04:20,642 - Well, you know. - Well, I liked it. 57 00:04:20,647 --> 00:04:22,642 (CHUCKLES) All right. Jump in, kiddo. 58 00:04:22,647 --> 00:04:25,642 Oh, hold on, uh, is anybody hungry? 59 00:04:25,647 --> 00:04:27,642 I thought maybe we could go to the Terrace Cafe. 60 00:04:27,647 --> 00:04:29,642 That's fancy. 61 00:04:29,647 --> 00:04:30,647 I'm feeling a bit fancy. 62 00:04:32,647 --> 00:04:33,642 I should get her home. 63 00:04:33,647 --> 00:04:35,647 Uh, I got you something. 64 00:04:37,647 --> 00:04:39,642 What is it? 65 00:04:39,647 --> 00:04:42,642 - Um... - Mom, just open it. 66 00:04:42,647 --> 00:04:44,647 (CHUCKLES) I want to know what's going on. 67 00:04:45,647 --> 00:04:46,647 Okay. 68 00:04:48,647 --> 00:04:50,647 As of today, it's been six months. 69 00:04:51,647 --> 00:04:52,647 What has? 70 00:04:53,647 --> 00:04:55,642 You said you needed a break, 71 00:04:55,647 --> 00:04:57,642 I asked how long, you said six months. So... 72 00:04:57,647 --> 00:04:59,642 I don't remember that. 73 00:04:59,647 --> 00:05:01,642 But if I said it, I, I didn't mean... 74 00:05:01,647 --> 00:05:03,647 Things are better between us, 75 00:05:04,647 --> 00:05:05,642 are they not? 76 00:05:05,647 --> 00:05:07,642 We, we should celebrate. 77 00:05:07,647 --> 00:05:09,642 I, I got flowers in the car, they're probably wilted. 78 00:05:09,647 --> 00:05:11,642 - Emma, would you wait in the car? - Oh, come on. 79 00:05:11,647 --> 00:05:13,647 - Why? - KATIE: Please. 80 00:05:20,647 --> 00:05:21,642 What's the problem now? 81 00:05:21,647 --> 00:05:23,642 Whatever I said six months ago, 82 00:05:23,647 --> 00:05:24,642 I didn't mean that we would take a break 83 00:05:24,647 --> 00:05:26,642 and everything would go back to how it was. 84 00:05:26,647 --> 00:05:28,642 And we can't keep having this conversation. 85 00:05:28,647 --> 00:05:30,647 We should be a family again. You know, for Emma. 86 00:05:31,647 --> 00:05:35,642 She is why we can't do it. And you know that. 87 00:05:35,647 --> 00:05:38,642 Can you just take this? It's a necklace. 88 00:05:38,647 --> 00:05:40,642 It matches your grandmother's ring, 89 00:05:40,647 --> 00:05:42,647 close as I could remember. 90 00:05:43,647 --> 00:05:45,642 No. 91 00:05:45,647 --> 00:05:47,642 What the fuck am I supposed to do with it? 92 00:05:47,647 --> 00:05:50,647 - I'll see you Saturday. - All right. 93 00:06:03,647 --> 00:06:05,642 (SIGHS) 94 00:06:05,647 --> 00:06:07,647 (PHONE RINGING) 95 00:06:16,647 --> 00:06:18,647 MILES: You ever watch Rachael Ray? 96 00:06:20,647 --> 00:06:22,642 - LOUIS: The talk show? - MILES: Yeah. 97 00:06:22,647 --> 00:06:25,642 LOUIS: I, I don't make a point of it. 98 00:06:25,647 --> 00:06:26,642 Well, she's good. 99 00:06:26,647 --> 00:06:28,642 Perceptive. 100 00:06:28,647 --> 00:06:30,642 She had a therapist on with her this morning, 101 00:06:30,647 --> 00:06:33,642 with a book about how to maintain healthy relationships. 102 00:06:33,647 --> 00:06:35,642 - Okay. - And she said, 103 00:06:35,647 --> 00:06:37,642 you gotta work on communication. 104 00:06:37,647 --> 00:06:38,642 You gotta learn how to love yourself. 105 00:06:38,647 --> 00:06:40,647 Love yourself, okay. 106 00:06:43,647 --> 00:06:45,642 And you gotta take responsibility. 107 00:06:45,647 --> 00:06:46,642 And it got me thinking... 108 00:06:46,647 --> 00:06:49,642 - Give me a hand, will ya? - Yeah. 109 00:06:49,647 --> 00:06:52,642 You know, I've been trying to change Katie's mind 110 00:06:52,647 --> 00:06:54,642 about our situation, you know. 111 00:06:54,647 --> 00:06:57,642 But, what if I need to be responsible, you know? 112 00:06:57,647 --> 00:07:01,642 What if it's me that needs to change? 113 00:07:01,647 --> 00:07:03,642 - How? - Well, that's the problem. 114 00:07:03,647 --> 00:07:06,642 I mean, there's so much she wants changed, 115 00:07:06,647 --> 00:07:07,647 I don't know where to start. 116 00:07:10,647 --> 00:07:11,647 Two, three. 117 00:07:16,647 --> 00:07:18,647 (TRAIN CHUFFING IN DISTANCE) 118 00:07:27,647 --> 00:07:29,642 The thing I don't feel great about, 119 00:07:29,647 --> 00:07:30,642 is lying to my kid, you know. 120 00:07:30,647 --> 00:07:31,642 Sure. 121 00:07:31,647 --> 00:07:33,642 Yeah. Saying I run a warehouse. 122 00:07:33,647 --> 00:07:36,642 Not even an exciting conceit. What am I gonna say? 123 00:07:36,647 --> 00:07:39,642 All right, look, everybody lies to their kids. All right? 124 00:07:39,647 --> 00:07:41,642 Fuckin' Santa Claus and... 125 00:07:41,647 --> 00:07:43,642 Katie doesn't like it. 126 00:07:43,647 --> 00:07:46,647 Doesn't like Emma hanging out with the people I work with. 127 00:07:48,647 --> 00:07:50,642 - Me? - Yeah. 128 00:07:50,647 --> 00:07:51,642 I mean, if you had kids, 129 00:07:51,647 --> 00:07:53,642 would you want 'em hanging out with people like you? 130 00:07:53,647 --> 00:07:55,642 How you spend your day... 131 00:07:55,647 --> 00:07:56,642 The same as you. 132 00:07:56,647 --> 00:07:58,647 Fucking exactly. 133 00:07:59,647 --> 00:08:01,647 (CRUSHING) 134 00:08:02,647 --> 00:08:04,647 (SHATTERING) 135 00:08:07,647 --> 00:08:09,647 MILES: The people we hang out with 136 00:08:10,647 --> 00:08:13,642 are predators, 137 00:08:13,647 --> 00:08:15,642 knuckleheads. 138 00:08:15,647 --> 00:08:16,642 LOUIS: You mean Yago? 139 00:08:16,647 --> 00:08:17,642 (KISSES) 140 00:08:17,647 --> 00:08:19,642 LOUIS: Will you do me a favor, please, 141 00:08:19,647 --> 00:08:22,647 and show a little respect? 142 00:08:23,647 --> 00:08:25,642 (CASINO MACHINES BEEPING) 143 00:08:25,647 --> 00:08:27,642 MILES: He gets an online college degree 144 00:08:27,647 --> 00:08:29,642 and now he runs the day-to-day? 145 00:08:29,647 --> 00:08:31,642 And we're supposed to take him serious? 146 00:08:31,647 --> 00:08:35,642 Always trying to prove how hard he is. 147 00:08:35,647 --> 00:08:36,642 LOUIS: He's insecure. 148 00:08:36,647 --> 00:08:39,642 MILES: He's a fucking maggot, that's what he is. 149 00:08:39,647 --> 00:08:43,642 LOUIS: Yeah. But he's also Amara's nephew, 150 00:08:43,647 --> 00:08:44,647 and you piss him off. 151 00:08:45,647 --> 00:08:48,642 (HUMMING) 152 00:08:48,647 --> 00:08:50,647 Well, I cut his tongue out. 153 00:08:52,647 --> 00:08:54,642 You know, the guys saw me do it. 154 00:08:54,647 --> 00:08:55,642 I told him, I was like, 155 00:08:55,647 --> 00:08:56,642 "Jason, 156 00:08:56,647 --> 00:08:59,642 "give me one good reason to let you go, 157 00:08:59,647 --> 00:09:02,642 "and I'll open the door, you know." 158 00:09:02,647 --> 00:09:03,647 You know what he says? 159 00:09:04,647 --> 00:09:06,647 (MIMICKING MUFFLED VOICE) 160 00:09:08,647 --> 00:09:10,642 (CHUCKLES) 161 00:09:10,647 --> 00:09:12,642 (CHUCKLES FORCEFULLY) 162 00:09:12,647 --> 00:09:14,647 (CHUCKLES) I was like, "Come again. I didn't get that." 163 00:09:17,647 --> 00:09:20,642 Right. You, uh, you offended? 164 00:09:20,647 --> 00:09:23,647 Laughing on the inside. (CHUCKLES LIGHTLY) 165 00:09:29,647 --> 00:09:31,642 Well, 166 00:09:31,647 --> 00:09:33,647 Amara wants you to make a collection in LA. 167 00:09:35,647 --> 00:09:38,647 If the guy doesn't pay, close the account. 168 00:09:40,647 --> 00:09:42,642 We don't really close accounts. 169 00:09:42,647 --> 00:09:44,647 Oh, on this one, you do. 170 00:09:46,647 --> 00:09:49,642 She knows people in LA, right? 171 00:09:49,647 --> 00:09:50,642 Maybe she could give one of them a shout. 172 00:09:50,647 --> 00:09:52,642 Yeah. Why don't you make a list of jobs 173 00:09:52,647 --> 00:09:54,642 that you rather not do. 174 00:09:54,647 --> 00:09:55,642 That someone else should take care of. 175 00:09:55,647 --> 00:10:01,647 Wh... Uh, what if we wait until things cool down? 176 00:10:02,647 --> 00:10:05,642 I mean, Jason was talking to the Feds. 177 00:10:05,647 --> 00:10:06,642 And they know that he handled our cash, 178 00:10:06,647 --> 00:10:09,642 - and now he's gone, so... - Yeah. 179 00:10:09,647 --> 00:10:11,642 They're probably watching. 180 00:10:11,647 --> 00:10:13,642 Yeah, like someone's gonna tail you assholes to California. 181 00:10:13,647 --> 00:10:15,642 Don't flatter yourself. 182 00:10:15,647 --> 00:10:17,647 Why do you sweep the place, if you're not worried? 183 00:10:22,647 --> 00:10:24,642 This came from Amara. 184 00:10:24,647 --> 00:10:25,647 Yeah. We'll handle it. 185 00:10:27,647 --> 00:10:30,642 Come on, I never been to Hollywood. 186 00:10:30,647 --> 00:10:31,642 - It's in Hollywood? - Yeah. 187 00:10:31,647 --> 00:10:34,642 We'll make a trip out of it. See some celebrities. 188 00:10:34,647 --> 00:10:37,647 Yeah. Sandra Bullock will personally give you a hand job. 189 00:10:38,647 --> 00:10:40,642 If I even think we're being tailed, 190 00:10:40,647 --> 00:10:42,647 we come straight home. All right? 191 00:10:44,036 --> 00:10:45,036 Sounds like a plan. 192 00:10:51,647 --> 00:10:52,647 (INDISTINCT CHATTER IN CASINO) 193 00:10:56,647 --> 00:10:58,647 Have fun. 194 00:11:03,996 --> 00:11:06,556 (SHUDDERING BREATHS) 195 00:11:10,004 --> 00:11:11,004 TYLER: Here, 196 00:11:12,647 --> 00:11:14,647 drink this. It'll help. 197 00:11:17,647 --> 00:11:20,642 - (COUGHS) - (CHUCKLES) 198 00:11:20,647 --> 00:11:22,642 You know, it's funny, 199 00:11:22,647 --> 00:11:24,647 I know we only met a few days ago. 200 00:11:26,647 --> 00:11:28,642 (SIGHS) 201 00:11:28,647 --> 00:11:32,642 But after everything we've been through, 202 00:11:32,647 --> 00:11:35,647 I don't know, it feels like I've known you my whole life. 203 00:11:36,647 --> 00:11:38,642 - Me too. - Yeah? 204 00:11:38,647 --> 00:11:39,647 (BOTH CHUCKLING) 205 00:11:40,647 --> 00:11:41,647 Here. 206 00:11:49,647 --> 00:11:50,647 (GASPS) 207 00:11:55,647 --> 00:11:56,647 (SIGHS) 208 00:12:01,647 --> 00:12:03,647 Where'd you go? 209 00:12:05,329 --> 00:12:06,324 I'm here. 210 00:12:06,647 --> 00:12:08,647 No. (CHUCKLING) 211 00:12:09,647 --> 00:12:11,647 You're a million miles away. 212 00:12:15,647 --> 00:12:17,647 I can't help it. 213 00:12:21,647 --> 00:12:23,642 I hope you know how grateful I am for everything... 214 00:12:23,647 --> 00:12:24,642 (SHATTERS) 215 00:12:24,647 --> 00:12:27,642 - (SCREAMING) - (GROWLING) 216 00:12:27,647 --> 00:12:28,642 - Can we cut? - (SHRIEKING) 217 00:12:28,647 --> 00:12:29,642 - MAN: Cut. - LYDIA: Reset. 218 00:12:29,647 --> 00:12:31,642 Sorry, Lydia. 219 00:12:31,647 --> 00:12:33,642 Lydia, I'm sorry. I hate being, you know, 220 00:12:33,647 --> 00:12:37,642 "that guy," but I'm just, I'm bumping on this. 221 00:12:37,647 --> 00:12:38,642 Yeah? 222 00:12:38,647 --> 00:12:39,642 Yeah. Look, 223 00:12:39,647 --> 00:12:43,642 I saved her life twice, but she keeps pulling away. 224 00:12:43,647 --> 00:12:46,642 You know, I don't ask her why she's doing it, you know. 225 00:12:46,647 --> 00:12:48,642 She doesn't tell me. It's like... 226 00:12:48,647 --> 00:12:50,642 Honestly, I feel like... 227 00:12:50,647 --> 00:12:53,642 I don't know, just peace out. 228 00:12:53,647 --> 00:12:55,642 Hmm. All right, let's talk about it. 229 00:12:55,647 --> 00:12:58,642 - Cut the rain. - Cut the rain! 230 00:12:58,647 --> 00:12:59,642 WOMAN: Cut the rain. 231 00:12:59,647 --> 00:13:00,642 MAN: Cut the rain! 232 00:13:00,647 --> 00:13:01,642 Why are we stopped? 233 00:13:01,647 --> 00:13:03,642 Tyler. (CLEARS THROAT) 234 00:13:03,647 --> 00:13:06,642 (SIGHS) How long till lunch? 235 00:13:06,647 --> 00:13:07,642 Twenty minutes. 236 00:13:07,647 --> 00:13:09,642 Oh, fuck! 237 00:13:09,647 --> 00:13:11,642 - Oh, fuck, I got a meeting. - Okay. 238 00:13:11,647 --> 00:13:14,642 Listen to me, you tell Lydia, 239 00:13:14,647 --> 00:13:16,642 I don't care if she does the next three scenes in one shot. 240 00:13:16,647 --> 00:13:18,642 - We're making the day. - Yeah, yeah. All right. 241 00:13:18,647 --> 00:13:19,642 Take this. Take this. 242 00:13:19,647 --> 00:13:20,642 Fuck! 243 00:13:20,647 --> 00:13:22,647 We gotta make the day. 244 00:13:31,647 --> 00:13:32,647 (INDISTINCT CHATTER ON STREET) 245 00:13:35,647 --> 00:13:38,642 Mr. Moreweather. Nathan Hill. 246 00:13:38,647 --> 00:13:39,642 RICK: Have we met? 247 00:13:39,647 --> 00:13:43,642 No. No. I, I, I just wanted to say hi. I know Tyler. 248 00:13:43,647 --> 00:13:44,642 Okay. 249 00:13:44,647 --> 00:13:46,642 I, I looked up some of your other films. 250 00:13:46,647 --> 00:13:48,642 Out for Blood and Day of Reckoning. 251 00:13:48,647 --> 00:13:50,642 I... They just have really, really great energy. You know? 252 00:13:50,647 --> 00:13:52,642 RICK: (CHUCKLES) Yeah. 253 00:13:52,647 --> 00:13:54,642 See, I'm, I'm an actor. 254 00:13:54,647 --> 00:13:55,642 RICK: Really? 255 00:13:55,647 --> 00:13:57,642 Yeah. I study at Stella Adler so... 256 00:13:57,647 --> 00:13:58,642 Well, I, I gotta go so... 257 00:13:58,647 --> 00:14:00,642 Yeah. I jus... I just wanted to say hi. 258 00:14:00,647 --> 00:14:01,642 Yeah. All right. Take care. 259 00:14:01,647 --> 00:14:03,642 - Okay. - (MOTOR CLUNKS) 260 00:14:03,647 --> 00:14:04,647 What... 261 00:14:05,647 --> 00:14:07,642 I think your battery's dead. 262 00:14:07,647 --> 00:14:09,642 - Yeah. Yeah. Yeah. - I can go get help if you want. 263 00:14:09,647 --> 00:14:11,642 I don't have time. Fuck. 264 00:14:11,647 --> 00:14:13,642 Oh, come on. 265 00:14:13,647 --> 00:14:14,642 Really great meeting you. 266 00:14:14,647 --> 00:14:15,642 RICK: All right. Thanks. 267 00:14:15,647 --> 00:14:17,642 Should have worn those fucking sneakers. 268 00:14:17,647 --> 00:14:19,647 I was gonna wear them. Fucking sneakers. 269 00:14:22,647 --> 00:14:24,642 (KNOCKING) It's Nathan. 270 00:14:24,647 --> 00:14:25,647 TYLER: Come in. 271 00:14:28,647 --> 00:14:29,642 Hey, man. 272 00:14:29,647 --> 00:14:30,647 TYLER: Hey. What's up? 273 00:14:31,647 --> 00:14:32,642 NATHAN: So, uh, 274 00:14:32,647 --> 00:14:34,642 I just had a good talk with Rick Moreweather. 275 00:14:34,647 --> 00:14:36,642 I told him I dig his movies... 276 00:14:36,647 --> 00:14:37,647 (GRUNTS) This script is a joke. 277 00:14:38,647 --> 00:14:39,642 Yeah? 278 00:14:39,647 --> 00:14:43,642 (SIGHS) I mean, it's genre, I get it. But... 279 00:14:43,647 --> 00:14:44,642 you gotta give the audience 280 00:14:44,647 --> 00:14:47,642 something to believe in, right? 281 00:14:47,647 --> 00:14:50,642 I'm sorry, it's just this doesn't feel real. 282 00:14:50,647 --> 00:14:51,642 - I haven't read the... - TYLER: You know what it is? 283 00:14:51,647 --> 00:14:54,642 They don't want me and Phoebe hooking up 284 00:14:54,647 --> 00:14:55,642 till the big scene at the end. 285 00:14:55,647 --> 00:14:58,642 So for the whole movie, she kind of pushes me away. 286 00:14:58,647 --> 00:14:59,642 Like she's not even into me. 287 00:14:59,647 --> 00:15:04,642 I guess, I can play unattractive, 288 00:15:04,647 --> 00:15:05,642 if that's what they want. 289 00:15:05,647 --> 00:15:09,642 Or I can do sex appeal. But it's like... I mean... 290 00:15:09,647 --> 00:15:10,642 (CHUCKLES) You can't have it both ways. 291 00:15:10,647 --> 00:15:12,647 Oh, yeah, you can't. (CHUCKLES) 292 00:15:13,647 --> 00:15:14,647 (TYLER SIGHS) 293 00:15:17,647 --> 00:15:18,642 Tell me if I'm being a Prima Donna. 294 00:15:18,647 --> 00:15:21,642 No. No, you... Look, you're just trying to... 295 00:15:21,647 --> 00:15:22,642 Trying to play a human being. 296 00:15:22,647 --> 00:15:24,642 Just trying to play a human being. 297 00:15:24,647 --> 00:15:25,642 Sorry. 298 00:15:25,647 --> 00:15:27,647 Yeah. I can relate. 299 00:15:28,647 --> 00:15:31,642 To... What are you... To the story? 300 00:15:31,647 --> 00:15:33,642 As an actor. 301 00:15:33,647 --> 00:15:36,642 You know, I'm, I'm doing this scene in class, you know. 302 00:15:36,647 --> 00:15:37,642 - I play this ex-cop... - Right. 303 00:15:37,647 --> 00:15:39,642 ...who gets fired because he's an alcoholic. 304 00:15:39,647 --> 00:15:40,642 - My scene partner he's... - (CHUCKLES) Right. 305 00:15:40,647 --> 00:15:42,642 TYLER: Same as last week? 306 00:15:42,647 --> 00:15:43,642 Huh? 307 00:15:43,647 --> 00:15:44,642 Sorry, I just caught a peek at the time. 308 00:15:44,647 --> 00:15:46,642 - They're gonna want me on set. - NATHAN: Okay. 309 00:15:46,647 --> 00:15:48,642 Yeah. Yeah. Thanks. 310 00:15:48,647 --> 00:15:51,642 - TYLER: Thanks, bro. - No worries. 311 00:15:51,647 --> 00:15:52,647 (CLEARS THROAT) 312 00:15:53,647 --> 00:15:55,647 (BREATHES HEAVILY) 313 00:15:57,647 --> 00:15:58,647 (BREATHES DEEPLY) 314 00:16:13,647 --> 00:16:15,647 (INDISTINCT CHATTER) 315 00:16:21,647 --> 00:16:22,642 Hey, Billy. 316 00:16:22,647 --> 00:16:24,647 MAN: Who is that? 317 00:16:29,647 --> 00:16:31,647 - (INDISTINCT CHATTER AND LAUGHTER) - (HORN HONKING) 318 00:16:36,647 --> 00:16:38,647 (SIGHS) 319 00:16:42,647 --> 00:16:43,642 (PANTING) 320 00:16:43,647 --> 00:16:45,647 It's all right. All right. 321 00:17:08,647 --> 00:17:09,647 (SNIFFING) 322 00:17:16,647 --> 00:17:18,647 Gladys? Have I got a shirt? 323 00:17:20,647 --> 00:17:21,642 Not to my knowledge. 324 00:17:21,647 --> 00:17:23,647 RICK: Wh... (SIGHS) 325 00:17:25,647 --> 00:17:28,642 GLADYS: And April Quinn is here. 326 00:17:28,647 --> 00:17:30,642 Okay. Just, uh, tell her to wait. 327 00:17:30,647 --> 00:17:32,647 By "here" I mean, here. 328 00:17:33,647 --> 00:17:35,642 Hello, hello, hello! (LAUGHS) 329 00:17:35,647 --> 00:17:37,642 RICK: April. Come on. Come in. Come in. Hey. 330 00:17:37,647 --> 00:17:38,642 APRIL: Hi. 331 00:17:38,647 --> 00:17:39,642 RICK: I would have came to you. 332 00:17:39,647 --> 00:17:41,642 Yeah. No, this is perfect, 333 00:17:41,647 --> 00:17:42,642 I have a meeting around the corner in 10 minutes. 334 00:17:42,647 --> 00:17:45,642 Oh. Okay. Thank you, Gladys. 335 00:17:45,647 --> 00:17:47,642 Sorry, I keep rescheduling lunch, 336 00:17:47,647 --> 00:17:50,642 it's just, working with Vin Diesel. You can imagine. 337 00:17:50,647 --> 00:17:52,642 I can. (CHUCKLES) 338 00:17:52,647 --> 00:17:54,642 What's the budget on that project? 339 00:17:54,647 --> 00:17:55,642 - 180 million. - (EXHALES SHARPLY) 340 00:17:55,647 --> 00:17:57,642 I know, it's ridiculous. 341 00:17:57,647 --> 00:17:59,642 Four hundred grand for fake snow. 342 00:17:59,647 --> 00:18:00,642 How are you? 343 00:18:00,647 --> 00:18:02,642 I'm doing fairly good. I'm, I'm, I'm... 344 00:18:02,647 --> 00:18:05,642 Of course I still have no personal life, I mean zero. 345 00:18:05,647 --> 00:18:06,642 Mom got me tropical fish, 346 00:18:06,647 --> 00:18:08,642 I didn't have time to feed them. 347 00:18:08,647 --> 00:18:10,642 Every morning there was another one just floating on top. 348 00:18:10,647 --> 00:18:13,647 I'm rambling, had a double latte. 349 00:18:14,647 --> 00:18:15,642 Come to think of it, 350 00:18:15,647 --> 00:18:17,642 I never had a personal life working for you, either. 351 00:18:17,647 --> 00:18:19,642 (CHUCKLES) Right. 352 00:18:19,647 --> 00:18:20,642 APRIL: Six years ago! 353 00:18:20,647 --> 00:18:22,647 Isn't that insane? 354 00:18:24,647 --> 00:18:27,642 Sit, sit. Uh, I'm shooting a movie. 355 00:18:27,647 --> 00:18:29,642 Okay. 356 00:18:29,647 --> 00:18:31,642 Yeah. Tyler Mathis, he's the lead, 357 00:18:31,647 --> 00:18:33,642 and, and we're behind schedule. 358 00:18:33,647 --> 00:18:35,642 The problem is he leaves in two weeks 359 00:18:35,647 --> 00:18:38,642 to shoot a very small part in your film, 360 00:18:38,647 --> 00:18:41,642 Lethal Limit... What, Three? 361 00:18:41,647 --> 00:18:42,642 - Four. - RICK: Four. 362 00:18:42,647 --> 00:18:44,642 Which means I'm screwed. 363 00:18:44,647 --> 00:18:49,642 Unless, you can schedule his shooting days later. 364 00:18:49,647 --> 00:18:51,642 You understand. 365 00:18:51,647 --> 00:18:52,642 Of course. 366 00:18:52,647 --> 00:18:54,642 Thank you. 367 00:18:54,647 --> 00:18:56,642 Oh. No, no. I mean I understand, 368 00:18:56,647 --> 00:18:59,642 but that's not my call. That's Brandon's call. 369 00:18:59,647 --> 00:19:00,647 (WHIRRING) 370 00:19:04,647 --> 00:19:06,642 Will you talk to Brandon? 371 00:19:06,647 --> 00:19:07,642 All the time. 372 00:19:07,647 --> 00:19:09,642 About this. 373 00:19:09,647 --> 00:19:11,642 I mean, I'll do my best. But, sorry, 374 00:19:11,647 --> 00:19:13,642 - I gotta go. - RICK: Okay. Yeah. 375 00:19:13,647 --> 00:19:15,642 So, it was, it was really good to see you. 376 00:19:15,647 --> 00:19:16,642 You too. 377 00:19:16,647 --> 00:19:18,647 We'll do lunch next week, okay? 378 00:19:19,647 --> 00:19:20,647 Or, soon! 379 00:19:22,647 --> 00:19:24,647 (MUSIC PLAYING ON RADIO) 380 00:19:26,647 --> 00:19:28,647 This guy's been on us a while. 381 00:19:30,647 --> 00:19:32,647 Is he tailing us? 382 00:19:33,647 --> 00:19:36,642 No. We're good. 383 00:19:36,647 --> 00:19:37,642 But I'm jumpy. 384 00:19:37,647 --> 00:19:39,647 I'm fucking jumpy now. I hate that. 385 00:19:43,647 --> 00:19:45,642 It's a condo I'm looking at. 386 00:19:45,647 --> 00:19:47,642 Oh, yeah? How'd you find it? 387 00:19:47,647 --> 00:19:51,647 One of the elders at church is the building manager. 388 00:19:52,647 --> 00:19:53,642 Lot of Mormons there. 389 00:19:53,647 --> 00:19:57,642 Hmm. Well, you'll be right at home. 390 00:19:57,647 --> 00:19:59,642 One, big, Mormon block party. 391 00:19:59,647 --> 00:20:01,642 You gotta be kidding me. 392 00:20:01,647 --> 00:20:05,642 This is the Hollywood Walk of Fame? 393 00:20:05,647 --> 00:20:07,642 - That's what it says. - This? 394 00:20:07,647 --> 00:20:08,642 It's a walk, it's not a fucking cathedral. 395 00:20:08,647 --> 00:20:12,642 I know. But compared to Vegas, this is embarrassing. 396 00:20:12,647 --> 00:20:13,642 I thought they made big movies here. 397 00:20:13,647 --> 00:20:16,642 Yeah. Studios are all in Burbank. 398 00:20:16,647 --> 00:20:19,642 Oh. Well, how do you know? 399 00:20:19,647 --> 00:20:21,642 At the end of a movie, it says where they filmed it. 400 00:20:21,647 --> 00:20:23,642 LOUIS: I hope Burbank is better than this. 401 00:20:23,647 --> 00:20:24,647 'Cause this is bullshit. 402 00:20:33,647 --> 00:20:34,647 (INDISTINCT CHATTER) 403 00:20:40,647 --> 00:20:41,642 (KNOCKING) 404 00:20:41,647 --> 00:20:43,642 NATHAN: Uh, one second. 405 00:20:43,647 --> 00:20:46,642 - Owen? - NATHAN: Hello? 406 00:20:46,647 --> 00:20:47,642 - Hi. - Hey. 407 00:20:47,647 --> 00:20:49,642 Yeah. Owen, uh... Owen's not here right now. 408 00:20:49,647 --> 00:20:51,642 - Oh, okay. - Oh. 409 00:20:51,647 --> 00:20:53,642 Well, we're friends of Owen's from back in the day. 410 00:20:53,647 --> 00:20:56,642 - Nice. - Yeah, I'm Barry and this is Vernon. 411 00:20:56,647 --> 00:20:57,642 That's right. Yeah. 412 00:20:57,647 --> 00:20:59,642 We thought we'd, uh, swing and say hi 413 00:20:59,647 --> 00:21:00,642 seeing that we were in town. 414 00:21:00,647 --> 00:21:02,642 Cool. I... Yeah, I... 415 00:21:02,647 --> 00:21:04,642 He's probably with his girlfriend. I'm not sure. 416 00:21:04,647 --> 00:21:05,642 Oh, well, we don't want to impose. 417 00:21:05,647 --> 00:21:07,642 Do you think you could text him? 418 00:21:07,647 --> 00:21:08,642 Yeah, maybe just find out where he is. 419 00:21:08,647 --> 00:21:09,642 But don't tell him that we're here. 420 00:21:09,647 --> 00:21:10,642 That's right. We'd love to keep it a secret. 421 00:21:10,647 --> 00:21:11,642 - Yeah. - (CHUCKLES) 422 00:21:11,647 --> 00:21:14,642 Okay, cool. Wh... (STUTTERS) 423 00:21:14,647 --> 00:21:15,642 What do you want me to say, exactly? 424 00:21:15,647 --> 00:21:17,642 Oh, God. I don't know. 425 00:21:17,647 --> 00:21:19,642 Maybe tell him that you got a spare ticket for, uh... 426 00:21:19,647 --> 00:21:20,642 - Dodgers game. - And maybe if he was free. 427 00:21:20,647 --> 00:21:22,642 Yeah. 428 00:21:22,647 --> 00:21:25,642 Uh, we don't really hang out a lot. 429 00:21:25,647 --> 00:21:28,647 So, I mean he might not get back to me right away. 430 00:21:31,647 --> 00:21:32,642 We'll wait. 431 00:21:32,647 --> 00:21:34,647 Okay. 432 00:21:37,647 --> 00:21:38,642 - Do you want to wait inside? - That'd be sweet. 433 00:21:38,647 --> 00:21:41,642 - Yeah. That'd be great. - NATHAN: Oh, cool. Yeah. 434 00:21:41,647 --> 00:21:44,642 Um, yeah, so I'll text him. 435 00:21:44,647 --> 00:21:47,642 Um, we'll see what he says. 436 00:21:47,647 --> 00:21:49,642 I'm Nathan, by the way. 437 00:21:49,647 --> 00:21:50,642 - Oh. - Hey. 438 00:21:50,647 --> 00:21:52,642 Nathan, you a model or something? 439 00:21:52,647 --> 00:21:55,642 No. An, an actor. Headshots. 440 00:21:55,647 --> 00:21:57,642 - Oh, no kidding. - Yeah. Oh, yeah. 441 00:21:57,647 --> 00:22:00,642 Five minutes in Hollywood, and already we know an actor. 442 00:22:00,647 --> 00:22:02,642 So, you're, you're friends with Owen, right? 443 00:22:02,647 --> 00:22:04,642 You from Houston or... 444 00:22:04,647 --> 00:22:06,642 (SNIFFING) Something smells good. 445 00:22:06,647 --> 00:22:08,642 - Is that chili or something? - No. It's, it's stir-fry. 446 00:22:08,647 --> 00:22:10,642 - Oh. - Can I check it out? 447 00:22:10,647 --> 00:22:11,642 - Yeah. - That is... Oh, yeah. 448 00:22:11,647 --> 00:22:13,642 Yeah. Barry's a real foodie. 449 00:22:13,647 --> 00:22:16,642 - Oh, really? - LOUIS: Oh! Oh! 450 00:22:16,647 --> 00:22:17,647 You could sit... 451 00:22:19,647 --> 00:22:21,642 Yeah. What are the, uh, white things? 452 00:22:21,647 --> 00:22:23,642 Um, uh, water chestnuts. That's sharp. 453 00:22:23,647 --> 00:22:25,642 Oh. 454 00:22:25,647 --> 00:22:27,642 LOUIS: See, I would never think to do that. 455 00:22:27,647 --> 00:22:29,642 I would never think to cook with chestnuts. 456 00:22:29,647 --> 00:22:31,642 NATHAN: You want some? 457 00:22:31,647 --> 00:22:33,642 - You sure? - Yeah. 458 00:22:33,647 --> 00:22:37,647 Thanks, man. You're a prince. 459 00:22:40,647 --> 00:22:41,647 (EXCITED CHEERING) 460 00:22:44,647 --> 00:22:46,647 AMARA: Looks fun. 461 00:22:49,647 --> 00:22:50,642 Zsolt and I hear you're the focus 462 00:22:50,647 --> 00:22:52,647 of a Federal investigation. 463 00:22:53,647 --> 00:22:54,642 Is that true? 464 00:22:54,647 --> 00:22:56,647 I like this ride. You wanna take me? 465 00:22:58,647 --> 00:23:01,642 Mrs. De Escalones is not under investigation. 466 00:23:01,647 --> 00:23:03,642 Then why not launder? 467 00:23:03,647 --> 00:23:07,642 Invest your money through your own casino? Wouldn't that be easier? 468 00:23:07,647 --> 00:23:09,642 My casino is small. But I have a lot of money. 469 00:23:09,647 --> 00:23:13,642 My banker, he don't work for me anymore. 470 00:23:13,647 --> 00:23:16,642 I have three parks, attendance is phenomenal. 471 00:23:16,647 --> 00:23:18,642 Concessions, merchandise, 472 00:23:18,647 --> 00:23:21,642 half the ticketing is cash-based. 473 00:23:21,647 --> 00:23:23,642 We can handle any amount you bring us. 474 00:23:23,647 --> 00:23:26,642 But, we have to be compensated. 475 00:23:26,647 --> 00:23:27,642 - 12%. - Eight. 476 00:23:27,647 --> 00:23:29,647 - FARKAS: Our bottom line. - I talk to him. 477 00:23:33,647 --> 00:23:35,642 You know this business. 478 00:23:35,647 --> 00:23:36,647 My business, I know. 479 00:23:38,647 --> 00:23:40,642 You and me have a drink tonight. 480 00:23:40,647 --> 00:23:42,642 We decide how to work together. 481 00:23:42,647 --> 00:23:43,647 Okay? 482 00:23:50,647 --> 00:23:52,642 Oh, it's gotta be fun to be an actor. 483 00:23:52,647 --> 00:23:55,642 You do movies? Or just TV? 484 00:23:55,647 --> 00:23:57,642 I... No... I'm taking classes. 485 00:23:57,647 --> 00:23:59,642 You know, studying. 486 00:23:59,647 --> 00:24:02,642 But I was on a movie set at, uh, Gravity Studios today. 487 00:24:02,647 --> 00:24:03,642 No shit. 488 00:24:03,647 --> 00:24:06,642 Yeah. Yeah. I, I'm friends with this actor. 489 00:24:06,647 --> 00:24:07,642 His name's Tyler Mathis. 490 00:24:07,647 --> 00:24:08,642 - Oh. - You know him? 491 00:24:08,647 --> 00:24:10,642 No. 492 00:24:10,647 --> 00:24:11,642 He's good. Um, 493 00:24:11,647 --> 00:24:13,642 then I hung out with Rick Moreweather, 494 00:24:13,647 --> 00:24:14,642 he's the producer. 495 00:24:14,647 --> 00:24:16,642 They... They're making a film that's called The Hunting. 496 00:24:16,647 --> 00:24:17,642 Oh, that's a good title. 497 00:24:17,647 --> 00:24:20,642 Yeah. The, the script has a few problems. 498 00:24:20,647 --> 00:24:21,642 Oh, is that right? 499 00:24:21,647 --> 00:24:24,642 Yeah. It's about a guy and a girl in a motel. 500 00:24:24,647 --> 00:24:26,642 They don't get together till the very end. 501 00:24:26,647 --> 00:24:29,642 I, like, she, she pushes him away for no reason. 502 00:24:29,647 --> 00:24:31,642 Oh, I hate when movies do that. 503 00:24:31,647 --> 00:24:33,642 Right? Yeah. 504 00:24:33,647 --> 00:24:35,642 The guy in the story, what's his job? 505 00:24:35,647 --> 00:24:37,647 Kills aliens. 506 00:24:38,647 --> 00:24:39,647 Okay. 507 00:24:41,647 --> 00:24:43,642 So his life is dangerous. 508 00:24:43,647 --> 00:24:44,647 Yeah. 509 00:24:46,647 --> 00:24:50,642 Maybe the woman wants to be with him, but she can't be. 510 00:24:50,647 --> 00:24:52,642 NATHAN: Because? 511 00:24:52,647 --> 00:24:53,642 She has a 12-year-old daughter. 512 00:24:53,647 --> 00:24:55,647 Has to put the kid first. 513 00:24:56,647 --> 00:24:59,642 (CHUCKLES) That's good. 514 00:24:59,647 --> 00:25:01,642 - A little complicated, but... - (PHONE ALERT) 515 00:25:01,647 --> 00:25:05,642 Life is fucking complicated shitballs. 516 00:25:05,647 --> 00:25:07,642 Oh, he's at his girlfriend's. 517 00:25:07,647 --> 00:25:08,642 Where's she live? 518 00:25:08,647 --> 00:25:09,642 I don't know. 519 00:25:09,647 --> 00:25:12,642 But, uh, that's her, right there with him. 520 00:25:12,647 --> 00:25:14,642 Oh, there's Owen and his girlfriend. 521 00:25:14,647 --> 00:25:16,642 NATHAN: Mmm-hmm. 522 00:25:16,647 --> 00:25:17,647 Well, I guess we gotta be going. 523 00:25:18,647 --> 00:25:20,642 - Oh! - Yeah! 524 00:25:20,647 --> 00:25:21,642 - So fun. - Yeah. 525 00:25:21,647 --> 00:25:22,642 - So fun. - Yeah. 526 00:25:22,647 --> 00:25:25,642 - Well, listen... - Oh, look, great. Okay. 527 00:25:25,647 --> 00:25:27,642 NATHAN: Yeah. Hey. Oh! 528 00:25:27,647 --> 00:25:29,090 LOUIS: Look, we're gonna be in town for a bit. 529 00:25:29,096 --> 00:25:29,642 NATHAN: Yeah. 530 00:25:29,647 --> 00:25:31,642 Uh, but we still want to surprise him... 531 00:25:31,647 --> 00:25:33,642 - Hmm. - ...so mum's the word. 532 00:25:33,647 --> 00:25:34,642 - Got ya. - Yeah? 533 00:25:34,647 --> 00:25:36,642 Got ya. Cool. 534 00:25:36,647 --> 00:25:37,642 - That's all right. - Oh. 535 00:25:37,647 --> 00:25:38,642 Best of luck with the whole acting thing. 536 00:25:38,647 --> 00:25:42,642 Yeah. Thank you. Lovely meeting you. 537 00:25:42,647 --> 00:25:44,647 Have a good one. Bye. 538 00:25:52,647 --> 00:25:53,647 (MUSIC PLAYING) 539 00:26:13,647 --> 00:26:16,642 Jesus, get some air in here, will you? 540 00:26:16,647 --> 00:26:18,647 Toothbrush, toothpaste, deodorant. 541 00:26:23,647 --> 00:26:24,647 (GRUNTING) 542 00:26:26,385 --> 00:26:27,380 Our guy come home? 543 00:26:27,647 --> 00:26:29,647 (SPITS) Might have while we were sleeping. 544 00:26:30,647 --> 00:26:31,642 (GRUNTS) 545 00:26:31,647 --> 00:26:33,642 Why didn't we get a hotel? 546 00:26:33,647 --> 00:26:35,642 (GROANS) My fucking neck. 547 00:26:35,647 --> 00:26:36,647 You find this job meaningful? 548 00:26:38,647 --> 00:26:39,647 What? 549 00:26:40,647 --> 00:26:42,647 Fulfilling spiritually? 550 00:26:43,647 --> 00:26:45,642 It's a job, man. 551 00:26:45,647 --> 00:26:47,642 In a tough economy. 552 00:26:47,647 --> 00:26:48,642 When I started off, 553 00:26:48,647 --> 00:26:51,642 I convinced myself that this was temporary. 554 00:26:51,647 --> 00:26:52,642 Katie was 19, 555 00:26:52,647 --> 00:26:54,642 back when she thought it was sexy 556 00:26:54,647 --> 00:26:55,642 to be with a tough guy. 557 00:26:55,647 --> 00:26:57,642 But it's not fucking sexy. 558 00:26:57,647 --> 00:26:58,642 Limping back to your apartment 559 00:26:58,647 --> 00:27:01,642 and scraping blood from under your nails. 560 00:27:01,647 --> 00:27:04,642 Opening a beer, and watching fucking Storage Wars. 561 00:27:04,647 --> 00:27:06,642 (SPITS) 562 00:27:06,647 --> 00:27:08,642 She was okay with it. 563 00:27:08,647 --> 00:27:10,647 Until Indian Springs... 564 00:27:15,647 --> 00:27:17,642 That freaked her out. 565 00:27:17,647 --> 00:27:20,647 But if I changed my job, 566 00:27:21,647 --> 00:27:22,642 she might take me back. 567 00:27:22,647 --> 00:27:27,642 Yeah. Just tell Amara you want to quit, 568 00:27:27,647 --> 00:27:29,642 see how that goes. 569 00:27:29,647 --> 00:27:31,647 (SIGHS) 570 00:27:37,647 --> 00:27:40,647 MILES: Maybe I skip town with the family. 571 00:27:42,647 --> 00:27:44,642 You know, I have a cousin who sells carpets, 572 00:27:44,647 --> 00:27:45,642 and he's convinced that 573 00:27:45,647 --> 00:27:47,642 if you have even a basic understanding of fiber density, 574 00:27:47,647 --> 00:27:49,642 like polyester versus nylon and whatnot, 575 00:27:49,647 --> 00:27:51,642 you can move anywhere and make a living. 576 00:27:51,647 --> 00:27:54,647 Even if Amara didn't find you? 577 00:27:56,647 --> 00:27:58,642 Six months of fiber density, 578 00:27:58,647 --> 00:28:00,647 and you'd jump off a fucking roof. 579 00:28:05,647 --> 00:28:06,647 (SPITS) 580 00:28:13,647 --> 00:28:14,647 Yeah. 581 00:28:15,647 --> 00:28:17,647 (SIGHS) 582 00:28:22,647 --> 00:28:24,642 Everything cool, dude? 583 00:28:24,647 --> 00:28:27,642 Uh, sorry. Uh... 584 00:28:27,647 --> 00:28:28,642 TYLER: That's cool. 585 00:28:28,647 --> 00:28:33,642 You want to, uh... (CLICKS TONGUE) Commence? 586 00:28:33,647 --> 00:28:35,642 NATHAN: In the movie you're doing right now, 587 00:28:35,647 --> 00:28:40,642 what if the girl wants to be with you, 588 00:28:40,647 --> 00:28:42,642 only she can't. 589 00:28:42,647 --> 00:28:43,642 And the reason is... 590 00:28:43,647 --> 00:28:45,642 TYLER: She's got a daughter. 591 00:28:45,647 --> 00:28:46,642 What? 592 00:28:46,647 --> 00:28:49,642 She's got a 12-year-old daughter. 593 00:28:49,647 --> 00:28:52,642 That way, even though she's aching to be with him, 594 00:28:52,647 --> 00:28:55,642 I mean, obviously, you know, she's gotta put the kid first. 595 00:28:55,647 --> 00:28:56,642 It does make sense. 596 00:28:56,647 --> 00:28:58,642 Wh... Other than rewriting and reshooting the entire movie. 597 00:28:58,647 --> 00:29:00,642 - I mean, but it's doable. - Ooh. 598 00:29:00,647 --> 00:29:02,642 We lose him in two weeks! 599 00:29:02,647 --> 00:29:03,642 Yeah. But only for a month. 600 00:29:03,647 --> 00:29:05,642 Oh, okay. Okay. 601 00:29:05,647 --> 00:29:06,642 So we just wait till you're available, 602 00:29:06,647 --> 00:29:09,642 and then reassemble the sets, the crew and locations. 603 00:29:09,647 --> 00:29:11,642 If that's what we gotta do. Yeah. 604 00:29:11,647 --> 00:29:13,642 (CHUCKLES) 605 00:29:13,647 --> 00:29:14,642 In order for you to, 606 00:29:14,647 --> 00:29:16,642 to track your character's motivation 607 00:29:16,647 --> 00:29:18,642 while you run from aliens. 608 00:29:18,647 --> 00:29:21,642 Rick, Rick, Rick, um, 609 00:29:21,647 --> 00:29:22,642 I have script approval. 610 00:29:22,647 --> 00:29:23,642 All right. We don't need to go there, right? 611 00:29:23,647 --> 00:29:25,642 I mean, we'll work something out. 612 00:29:25,647 --> 00:29:26,642 Look, man, it's in my contract. 613 00:29:26,647 --> 00:29:29,642 So you guys just let me know 614 00:29:29,647 --> 00:29:32,647 when there's something to approve. Okay? 615 00:29:33,647 --> 00:29:34,642 Oh, shit. 616 00:29:34,647 --> 00:29:35,642 I just thought the idea... 617 00:29:35,647 --> 00:29:36,642 Shut up, Lydia. 618 00:29:36,647 --> 00:29:37,647 (STUDENTS VOCALIZING) 619 00:29:45,647 --> 00:29:47,647 (PHONE RINGING) 620 00:29:48,647 --> 00:29:49,642 Hey. 621 00:29:49,647 --> 00:29:50,642 OWEN: (ON PHONE) What the hell is that? 622 00:29:50,647 --> 00:29:52,647 Uh, vocal warmups. 623 00:29:54,647 --> 00:29:56,642 OWEN: I got home and I saw your note. 624 00:29:56,647 --> 00:29:58,642 I can't read your writing. 625 00:29:58,647 --> 00:30:01,642 Does this say Barry and Vernon? 626 00:30:01,647 --> 00:30:03,642 NATHAN: Yeah. They didn't want me to tell you, 627 00:30:03,647 --> 00:30:07,642 but I was afraid they'd leave town and you'd miss them. 628 00:30:07,647 --> 00:30:10,642 I don't have friends named Barry and Vernon. 629 00:30:10,647 --> 00:30:12,642 Really? 630 00:30:12,647 --> 00:30:14,642 OWEN: Maybe they found the suitcase. 631 00:30:14,647 --> 00:30:16,642 What did they look like? 632 00:30:16,647 --> 00:30:19,642 NATHAN: Ah, big guys, one of 'em is Irish, 633 00:30:19,647 --> 00:30:21,647 you know, but really nice. 634 00:30:25,647 --> 00:30:26,647 Owen? 635 00:30:27,647 --> 00:30:28,647 Owen? 636 00:30:30,647 --> 00:30:32,642 Ugh. Hope you're not pissed, they wanted to... 637 00:30:32,647 --> 00:30:33,642 They wanted to surprise you. 638 00:30:33,647 --> 00:30:34,647 I gotta go. 639 00:30:37,647 --> 00:30:39,647 (PANTING AND WHIMPERING) 640 00:31:01,647 --> 00:31:03,647 (PANTING) 641 00:31:34,647 --> 00:31:35,642 (SMACKS LIPS) Would you like a hand with that? 642 00:31:35,647 --> 00:31:38,642 (WHIMPERING) 643 00:31:38,647 --> 00:31:39,647 (PANTING) 644 00:31:49,647 --> 00:31:51,647 Argh! 645 00:31:59,647 --> 00:32:02,647 Do me a favor and just scoot over that way. 646 00:32:03,647 --> 00:32:05,642 Why? 647 00:32:05,647 --> 00:32:06,642 LOUIS: Well, cleaning your brains off that bookcase 648 00:32:06,647 --> 00:32:07,642 is gonna be a hassle, 649 00:32:07,647 --> 00:32:09,642 whereas there, all I need 650 00:32:09,647 --> 00:32:10,642 are paper towels and garbage bags. 651 00:32:10,647 --> 00:32:12,647 You got paper towels? 652 00:32:14,647 --> 00:32:15,642 That's a real question. 653 00:32:15,647 --> 00:32:17,642 - (SNIFFLES) - LOUIS: Now. 654 00:32:17,647 --> 00:32:20,642 Alternatively, you pay what you fucking owe, 655 00:32:20,647 --> 00:32:24,642 and no one has to clean up your, you know, uh, bits. 656 00:32:24,647 --> 00:32:27,642 I just... I don't have it right now. 657 00:32:27,647 --> 00:32:30,642 MILES: There must be some money you can get from somewhere. 658 00:32:30,647 --> 00:32:31,642 Twenty grand even? 659 00:32:31,647 --> 00:32:32,642 He owes 50. 660 00:32:32,647 --> 00:32:33,642 I realize that, Barry. 661 00:32:33,647 --> 00:32:35,642 I'm not saying he's off the hook. 662 00:32:35,647 --> 00:32:36,642 My car. 663 00:32:36,647 --> 00:32:37,642 LOUIS: Which is? 664 00:32:37,647 --> 00:32:38,642 Honda Civic. 665 00:32:38,647 --> 00:32:39,642 (EXHALES SHARPLY) 666 00:32:39,647 --> 00:32:41,642 2004. 667 00:32:41,647 --> 00:32:44,642 LOUIS: Well, that's 500 bucks. You only got 49,500 to go. 668 00:32:44,647 --> 00:32:45,642 What were you thinking, 669 00:32:45,647 --> 00:32:47,642 taking a marker for 50 grand? 670 00:32:47,647 --> 00:32:51,642 I'm such an idiot! 671 00:32:51,647 --> 00:32:53,647 (SOBBING) Trying to finance a movie playing blackjack. 672 00:32:55,647 --> 00:32:56,642 What's that? A movie? 673 00:32:56,647 --> 00:32:58,642 OWEN: Ten years writing, 674 00:32:58,647 --> 00:33:00,642 I couldn't catch a break. 675 00:33:00,647 --> 00:33:01,647 Then I write that! 676 00:33:04,647 --> 00:33:07,642 It puts everything else I've ever written to shame. 677 00:33:07,647 --> 00:33:12,642 And my stupid agent dumps me, 678 00:33:12,647 --> 00:33:14,642 I can't sell it. 679 00:33:14,647 --> 00:33:17,642 But if I can produce it, I'm telling you, 680 00:33:17,647 --> 00:33:18,642 it's gonna win a fucking Oscar. 681 00:33:18,647 --> 00:33:20,647 LOUIS: And we give a shit. 682 00:33:21,647 --> 00:33:22,647 What's it about? 683 00:33:24,647 --> 00:33:27,642 It's about Georgian England. 684 00:33:27,647 --> 00:33:28,642 Uh-huh. 685 00:33:28,647 --> 00:33:29,647 OWEN: A love story. 686 00:33:30,647 --> 00:33:32,642 It rips your heart out. 687 00:33:32,647 --> 00:33:33,647 (SIGHS) 688 00:33:34,647 --> 00:33:35,647 Hey! 689 00:33:36,647 --> 00:33:37,642 Hey! 690 00:33:37,647 --> 00:33:39,647 You want something of value? 691 00:33:40,647 --> 00:33:42,642 I'll make you both producers. 692 00:33:42,647 --> 00:33:45,642 Movie sells, you make... 693 00:33:45,647 --> 00:33:48,642 (STUTTERS) Ten times what I owe. 694 00:33:48,647 --> 00:33:49,642 Just cut it out, man. 695 00:33:49,647 --> 00:33:50,642 You either you got the money or you don't. 696 00:33:50,647 --> 00:33:52,642 OWEN: Just hold upon it... What? 697 00:33:52,647 --> 00:33:53,642 Yeah, yeah, yeah. 698 00:33:53,647 --> 00:33:55,642 What does that mean, producers? 699 00:33:55,647 --> 00:33:58,642 Your name's in the credits. 700 00:33:58,647 --> 00:34:01,642 You'd be at all the awards shows. 701 00:34:01,647 --> 00:34:04,642 You get points on the back end. 702 00:34:04,647 --> 00:34:05,642 (GUNSHOT) 703 00:34:05,647 --> 00:34:06,647 (EARS RINGING) 704 00:34:07,647 --> 00:34:08,642 MILES: The fuck? 705 00:34:08,647 --> 00:34:10,642 What? 706 00:34:10,647 --> 00:34:12,704 We're having a conversation, man. 707 00:34:13,647 --> 00:34:14,642 I thought you were finished. 708 00:34:14,647 --> 00:34:16,647 He was fucking mid-sentence! 709 00:34:18,647 --> 00:34:20,642 Well, how great of a writer can he really be, 710 00:34:20,647 --> 00:34:21,642 living in this shithole? 711 00:34:21,647 --> 00:34:23,647 He said he had paper towels. 712 00:34:32,647 --> 00:34:35,647 He's got trash bags. Here we go. 713 00:34:45,647 --> 00:34:47,642 (BLOOD SPLATTERS) 714 00:34:47,647 --> 00:34:48,647 Fuck. 715 00:34:55,647 --> 00:34:57,647 (MUSIC PLAYING ON RADIO) 716 00:35:01,647 --> 00:35:03,642 You've been working for Amara too long. 717 00:35:03,647 --> 00:35:05,642 Hit a lull in the conversation and you think, 718 00:35:05,647 --> 00:35:07,647 "Well? Might as well shoot him." 719 00:35:09,647 --> 00:35:10,642 Jesus. 720 00:35:10,647 --> 00:35:12,642 (PHONE VIBRATING) 721 00:35:12,647 --> 00:35:13,642 (SIGHS) 722 00:35:13,647 --> 00:35:15,642 Text from Yago. 723 00:35:15,647 --> 00:35:17,642 Wants us to check in at the casino. 724 00:35:17,647 --> 00:35:20,642 - Huh? - Drive an extra 40 minutes? 725 00:35:20,647 --> 00:35:21,642 Can we not just call him? 726 00:35:21,647 --> 00:35:23,647 Telling you what it says. 727 00:35:26,647 --> 00:35:28,642 Owen's roommate, Nathan. 728 00:35:28,647 --> 00:35:30,642 He said he knew a producer over at Universal. 729 00:35:30,647 --> 00:35:32,642 A guy called "Rick" something. 730 00:35:32,647 --> 00:35:34,642 Why didn't he just give the script to him? 731 00:35:34,647 --> 00:35:35,647 (SIGHS) 732 00:35:37,647 --> 00:35:38,642 To who? 733 00:35:38,647 --> 00:35:41,647 I guess Owen and Nathan weren't too tight. 734 00:35:46,647 --> 00:35:47,647 (SIGHS) 735 00:35:49,647 --> 00:35:50,642 Is it any good? 736 00:35:50,647 --> 00:35:52,642 I don't know. 737 00:35:52,647 --> 00:35:55,642 I get carsick if I read while I'm driving. 738 00:35:55,647 --> 00:35:57,647 Also the pages are stuck together. 739 00:36:04,647 --> 00:36:06,642 (GRUNTS) How hard can it be? 740 00:36:06,647 --> 00:36:08,647 LOUIS: (PANTING) What? 741 00:36:09,647 --> 00:36:10,642 Producing a movie. 742 00:36:10,647 --> 00:36:13,642 Ugh, Jesus, you still talking about this? 743 00:36:13,647 --> 00:36:14,642 We've got a script. 744 00:36:14,647 --> 00:36:15,642 You haven't read it. 745 00:36:15,647 --> 00:36:17,642 Owen said it was good. 746 00:36:17,647 --> 00:36:18,642 (SIGHS) 747 00:36:18,647 --> 00:36:22,642 You need money and actors 748 00:36:22,647 --> 00:36:24,647 and, you know, 749 00:36:25,647 --> 00:36:26,642 lights. 750 00:36:26,647 --> 00:36:27,642 I mean, you can't just go to Home Depot 751 00:36:27,647 --> 00:36:29,642 and pull that shit off the shelf. 752 00:36:29,647 --> 00:36:31,642 We don't know the first fucking thing. 753 00:36:31,647 --> 00:36:33,642 (PANTING) 754 00:36:33,647 --> 00:36:34,642 So we find someone who does. 755 00:36:34,647 --> 00:36:38,642 (PANTING) Okay, you talked to a writer for three minutes, 756 00:36:38,647 --> 00:36:41,642 and then suddenly you're Marvin Scorcese. 757 00:36:41,647 --> 00:36:43,642 - Martin. - Hmm? 758 00:36:43,647 --> 00:36:45,642 Martin Scorcese. 759 00:36:45,647 --> 00:36:46,642 Whatever. 760 00:36:46,647 --> 00:36:48,642 Well, forgive me for thinking I can do something meaningful. 761 00:36:48,647 --> 00:36:49,642 Something that lasts. 762 00:36:49,647 --> 00:36:51,642 What are you rambling about? 763 00:36:51,647 --> 00:36:53,642 The old movies I used to watch as a kid? 764 00:36:53,647 --> 00:36:56,642 I watch the same movies now with Emma. 765 00:36:56,647 --> 00:37:00,647 (PANTS) Whereas all you and me do, is bury shit. 766 00:37:01,647 --> 00:37:03,642 Now maybe in a movie, 767 00:37:03,647 --> 00:37:05,642 digging a hole would be exciting. 768 00:37:05,647 --> 00:37:10,642 There'd be a soundtrack and actors 769 00:37:10,647 --> 00:37:11,642 and a plot. 770 00:37:11,647 --> 00:37:13,642 It would lead somewhere. 771 00:37:13,647 --> 00:37:16,642 But in real life, digging a hole is pointless 772 00:37:16,647 --> 00:37:20,647 and unpleasant and boring and a pain in the ass. 773 00:37:21,647 --> 00:37:25,642 LOUIS: You okay? Not usually this quiet. 774 00:37:25,647 --> 00:37:27,642 MILES: What kind of an idiot drives a car like that? 775 00:37:27,647 --> 00:37:30,647 LOUIS: Think maybe he's compensating for something? 776 00:37:31,647 --> 00:37:33,642 MILES: Goodness. 777 00:37:33,647 --> 00:37:35,642 Makes us drive out here to check in 778 00:37:35,647 --> 00:37:36,642 and he wasn't gonna fucking wait for us. 779 00:37:36,647 --> 00:37:38,642 LOUIS: Easy. 780 00:37:38,647 --> 00:37:40,642 YAGO: If I'm around definitely invite me to that shit. 781 00:37:40,647 --> 00:37:41,642 MILES: You told us to check in. 782 00:37:41,647 --> 00:37:43,647 And you did. 783 00:37:44,647 --> 00:37:45,642 Where are you going? 784 00:37:45,647 --> 00:37:46,642 Where am I going? 785 00:37:46,647 --> 00:37:49,642 To your mother's for a rim job and a slice of pie. 786 00:37:49,647 --> 00:37:51,647 Thanks for asking. 787 00:37:55,647 --> 00:37:57,642 What a cunt! 788 00:37:57,647 --> 00:37:59,642 See that? 789 00:37:59,647 --> 00:38:01,647 - What was that? - Huh? 790 00:38:04,647 --> 00:38:06,647 You wanna tell me something? 791 00:38:08,647 --> 00:38:09,642 Not a big deal. 792 00:38:09,647 --> 00:38:10,642 No, what's not a big deal? 793 00:38:10,647 --> 00:38:12,642 The scratch you put on his truck. 794 00:38:12,647 --> 00:38:15,642 Guys, I don't even care. It was already scratched. Doesn't matter. 795 00:38:15,647 --> 00:38:16,642 Oh, shit. 796 00:38:16,647 --> 00:38:18,642 That little mark? Did I do that? 797 00:38:18,647 --> 00:38:20,642 Yeah, you hit it with your clown car. 798 00:38:20,647 --> 00:38:22,642 Huh, so maybe I should give you 799 00:38:22,647 --> 00:38:25,642 the papers to my insurance company. 800 00:38:25,647 --> 00:38:28,642 Or maybe I should get on my knees and buff it out. 801 00:38:28,647 --> 00:38:29,647 Is that what you want? 802 00:38:30,647 --> 00:38:31,642 Up to you. 803 00:38:31,647 --> 00:38:33,642 Okay. Okay. 804 00:38:33,647 --> 00:38:35,642 (GUNSHOT) 805 00:38:35,647 --> 00:38:36,642 ED: Come on, man... 806 00:38:36,647 --> 00:38:38,647 Who the fuck you think you are? 807 00:38:39,647 --> 00:38:40,642 Don't point that at me. 808 00:38:40,647 --> 00:38:41,642 YAGO: Mmm-mmm. 809 00:38:41,647 --> 00:38:43,647 You don't tell me what to do... 810 00:38:44,647 --> 00:38:46,642 Yo! Yo! 811 00:38:46,647 --> 00:38:50,642 (GROANS) Shit! Motherfucker! 812 00:38:50,647 --> 00:38:53,642 You're a dead man. You're a dead man. 813 00:38:53,647 --> 00:38:54,647 Yo! Hold him. (GROANING) 814 00:38:56,647 --> 00:38:58,647 For when he calms down, yeah? 815 00:38:59,647 --> 00:39:01,642 YAGO: Get off! 816 00:39:01,647 --> 00:39:02,982 Give me your piece, Ed. Give me your 817 00:39:02,988 --> 00:39:04,642 piece, Ed. Give me your fucking piece. 818 00:39:04,647 --> 00:39:06,642 - What did I say? - We should probably go. 819 00:39:06,647 --> 00:39:07,642 Yeah. What did I say? 820 00:39:07,647 --> 00:39:08,642 - What did I say? - (GUNSHOT) 821 00:39:08,647 --> 00:39:11,642 Treat him with respect, just show him respect, 822 00:39:11,647 --> 00:39:12,642 you don't have to respect him. 823 00:39:12,647 --> 00:39:15,642 Just show him respect. 824 00:39:15,647 --> 00:39:18,642 God! Is that so hard? Motherfucker, God! 825 00:39:18,647 --> 00:39:20,642 - ED: Hey! - I'm the one out of line? 826 00:39:20,647 --> 00:39:22,642 LOUIS: Yeah! You're out of line. 827 00:39:22,647 --> 00:39:23,642 ED: Hey! (INDISTINCT YELLING) 828 00:39:23,647 --> 00:39:24,642 I'll smooth things over tomorrow. 829 00:39:24,647 --> 00:39:25,642 LOUIS: Oh, yeah, sure. 830 00:39:25,647 --> 00:39:27,647 YAGO: Puta. 831 00:39:32,647 --> 00:39:34,642 EMMA: ? Please don't be offended ? 832 00:39:34,647 --> 00:39:38,642 ? If I preach to you awhile ? 833 00:39:38,647 --> 00:39:45,642 ? Tears are out of place in eyes that were meant to smile ? 834 00:39:45,647 --> 00:39:46,642 ? Here's a way to make ? 835 00:39:46,647 --> 00:39:51,642 ? All of your biggest troubles small ? 836 00:39:51,647 --> 00:39:55,647 ? Here's the happy secret of it all ? 837 00:39:57,647 --> 00:40:02,642 ? Look for the silver lining ? 838 00:40:02,647 --> 00:40:09,642 ? When every cloud appears in the blue ? 839 00:40:09,647 --> 00:40:15,642 ? Remember somewhere the sun is shining ? 840 00:40:15,647 --> 00:40:19,642 ? And so the right thing to do ? 841 00:40:19,647 --> 00:40:22,642 ? Is let is shine for you ? 842 00:40:22,647 --> 00:40:24,642 ? A heart full of... ? 843 00:40:24,647 --> 00:40:25,642 (INDISTINCT CHATTER) 844 00:40:25,647 --> 00:40:27,642 You were this whole other person up there. 845 00:40:27,647 --> 00:40:30,642 - I forgot who I was watching. - Oh, come on. (LAUGHS) 846 00:40:30,647 --> 00:40:32,642 I did. I'm serious. That's a real talent. 847 00:40:32,647 --> 00:40:34,642 - Hi. You were so great! - Hey. 848 00:40:34,647 --> 00:40:36,642 Thank you. 849 00:40:36,647 --> 00:40:38,642 - Hey, kiddo. - Hey. 850 00:40:38,647 --> 00:40:39,642 (CHUCKLES) 851 00:40:39,647 --> 00:40:40,642 JEFFREY: Fantastic. 852 00:40:40,647 --> 00:40:41,647 Thank you. 853 00:40:42,647 --> 00:40:44,642 Hi. I'm Jeffrey. 854 00:40:44,647 --> 00:40:45,647 Miles. 855 00:40:47,647 --> 00:40:48,642 Did you have a kid in the play? 856 00:40:48,647 --> 00:40:51,642 - No. - He came with me. 857 00:40:51,647 --> 00:40:52,642 Can I talk to you, please? 858 00:40:52,647 --> 00:40:54,642 KATIE: Just a second, sweetheart. 859 00:40:54,647 --> 00:40:55,642 JEFFREY: Oh, my gosh. 860 00:40:55,647 --> 00:40:57,642 - (EMMA CHUCKLES) - JEFFREY: Um... 861 00:40:57,647 --> 00:40:58,642 You brought a date. 862 00:40:58,647 --> 00:40:59,642 I thought you were out of town. 863 00:40:59,647 --> 00:41:00,642 You banging this guy? 864 00:41:00,647 --> 00:41:01,642 None of your business! 865 00:41:01,647 --> 00:41:03,647 The fuck it's not. 866 00:41:05,647 --> 00:41:08,642 I, I know him through friends at work 867 00:41:08,647 --> 00:41:11,642 and I, I... I've started seeing him. 868 00:41:11,647 --> 00:41:13,642 I should have told you. It's just, it's still new. 869 00:41:13,647 --> 00:41:15,642 You brought him to her play. 870 00:41:15,647 --> 00:41:16,642 He wanted to come. 871 00:41:16,647 --> 00:41:19,647 And far as Emma knows, he's a friend. 872 00:41:23,647 --> 00:41:27,642 Miles, nothing happens to him. 873 00:41:27,647 --> 00:41:29,642 Okay. Nothing. 874 00:41:29,647 --> 00:41:32,642 He gets hit by lightning, I will know it's you. 875 00:41:32,647 --> 00:41:33,642 Listen, 876 00:41:33,647 --> 00:41:35,642 I'm making changes in my life. 877 00:41:35,647 --> 00:41:37,642 Career changes. 878 00:41:37,647 --> 00:41:39,642 Exciting ones. I mean, it's... 879 00:41:39,647 --> 00:41:43,642 It's all a bit hush-hush right now, but, Katie... 880 00:41:43,647 --> 00:41:44,647 (CHUCKLES) 881 00:41:46,908 --> 00:41:47,903 Okay. 882 00:41:48,647 --> 00:41:51,647 Well, I think that's great. 883 00:41:52,647 --> 00:41:54,642 For your sake. 884 00:41:54,647 --> 00:41:56,647 Uh, we left Emma standing there. 885 00:41:59,647 --> 00:42:00,642 Hey. 886 00:42:00,647 --> 00:42:02,642 Do you want to go get something to eat? 887 00:42:02,647 --> 00:42:03,647 Yeah. Let's do that. 888 00:42:48,647 --> 00:42:50,642 You wanna eat something? 889 00:42:50,647 --> 00:42:51,647 The shrimp you like? 890 00:42:52,647 --> 00:42:53,647 I am fine. 891 00:42:55,647 --> 00:42:59,642 So, let's agree on a number. 892 00:42:59,647 --> 00:43:01,642 We're asking for 12. 893 00:43:01,647 --> 00:43:02,642 You were going to sleep on it. 894 00:43:02,647 --> 00:43:04,647 (SNIFFLES) No sleep for me. 895 00:43:06,647 --> 00:43:07,642 GEORGE: We did our homework. 896 00:43:07,647 --> 00:43:10,642 Attendance at your parks is excellent. 897 00:43:10,647 --> 00:43:12,642 Problem is the water quota. 898 00:43:12,647 --> 00:43:13,642 Since the drought, 899 00:43:13,647 --> 00:43:16,642 you get fined by the county every month. 900 00:43:16,647 --> 00:43:18,642 They're raising the price per gallon, 901 00:43:18,647 --> 00:43:19,647 and you're losing money. 902 00:43:20,647 --> 00:43:21,647 Which means you need us. 903 00:43:23,647 --> 00:43:25,647 Hold on. 904 00:43:26,647 --> 00:43:28,647 (INDISTINCT WHISPERING) 905 00:43:31,647 --> 00:43:32,642 9% or we walk. 906 00:43:32,647 --> 00:43:34,642 Can't go above five. 907 00:43:34,647 --> 00:43:35,642 ZSOLT: Five? 908 00:43:35,647 --> 00:43:36,642 No, no, no. You promised. 909 00:43:36,647 --> 00:43:38,642 AMARA: Sweetheart. 910 00:43:38,647 --> 00:43:40,647 He does numbers. 911 00:43:42,647 --> 00:43:44,642 I have built this company over 20 years. 912 00:43:44,647 --> 00:43:47,647 I am not about to risk it over this bullshit. 913 00:43:49,146 --> 00:43:50,141 And you... 914 00:43:50,647 --> 00:43:52,647 (BREATHES HEAVILY) 915 00:43:53,647 --> 00:43:55,642 You can go fuck yourself. 916 00:43:55,647 --> 00:43:58,647 Because from now on, I sure as hell won't. 917 00:44:17,647 --> 00:44:19,642 We could go higher. 918 00:44:19,647 --> 00:44:21,642 He don't want to do business with me. 919 00:44:21,647 --> 00:44:23,647 That's okay. 920 00:44:32,647 --> 00:44:33,647 (SNIFFLES) 921 00:44:42,647 --> 00:44:44,647 (INHALES) 922 00:44:45,647 --> 00:44:47,647 How could she be so blind? 923 00:44:50,647 --> 00:44:51,647 (HORN HONKING) 924 00:44:58,647 --> 00:44:59,647 Driver's license. 925 00:45:05,647 --> 00:45:07,642 MILES: Oh. 926 00:45:07,647 --> 00:45:09,642 My assistant forgot to put the appointment in my phone 927 00:45:09,647 --> 00:45:10,642 and now I can't reach her. 928 00:45:10,647 --> 00:45:13,642 She just got back from her honeymoon. 929 00:45:13,647 --> 00:45:16,647 I think her head's still between the sheets. 930 00:45:19,647 --> 00:45:22,642 Anyway, I'm meeting a producer called Rick something? 931 00:45:22,647 --> 00:45:23,642 He's making a film called The Hunted. 932 00:45:23,647 --> 00:45:24,642 Hold on. 933 00:45:24,647 --> 00:45:26,642 Yeah. 934 00:45:26,647 --> 00:45:27,642 Rick Moreweather. 935 00:45:27,647 --> 00:45:28,642 That's it. 936 00:45:28,647 --> 00:45:33,642 Okay, his office is just past the water tower. 937 00:45:33,647 --> 00:45:34,642 Uh, but I'm not seeing your name here. 938 00:45:34,647 --> 00:45:36,647 - Do you have a drive-on? - I do. 939 00:45:40,647 --> 00:45:42,642 What's a drive-on? 940 00:45:42,647 --> 00:45:44,642 Okay, sir, you're gonna need to pull around the booth 941 00:45:44,647 --> 00:45:46,642 and exit this side. 942 00:45:46,647 --> 00:45:49,642 What are they doing? How's it they're all getting in? 943 00:45:49,647 --> 00:45:51,642 They're here to see Rachael Ray. 944 00:45:51,647 --> 00:45:53,642 Shut the... 945 00:45:53,647 --> 00:45:54,642 Rachael Ray films here? 946 00:45:54,647 --> 00:45:55,642 Yeah, West Coast taping, 947 00:45:55,647 --> 00:45:58,642 but, sir, there's people behind you. 948 00:45:58,647 --> 00:45:59,642 Can I get a ticket for Rachael Ray? 949 00:45:59,647 --> 00:46:01,642 Okay, there's a standby list. 950 00:46:01,647 --> 00:46:03,647 But right now, you're gonna need to make a U-turn. 951 00:46:05,647 --> 00:46:07,642 Sir, there's people behind you. 952 00:46:07,647 --> 00:46:08,647 (HORN HONKING) 953 00:46:11,647 --> 00:46:14,642 Hi. Miles Daly for Rick Moreweather. 954 00:46:14,647 --> 00:46:16,642 GLADYS: Do you have an appointment? 955 00:46:16,647 --> 00:46:17,647 Nobody called about you. 956 00:46:19,647 --> 00:46:20,647 Oh. 957 00:46:21,647 --> 00:46:24,642 Uh, you know what it is? 958 00:46:24,647 --> 00:46:28,647 My assistant, Clarisa. She going through a break-up. 959 00:46:29,647 --> 00:46:32,642 It's messed up my whole week. 960 00:46:32,647 --> 00:46:33,642 You think there's any way that Rick might be 961 00:46:33,647 --> 00:46:35,647 able to see me since I'm here? 962 00:46:36,647 --> 00:46:39,642 Oh, he's got a full schedule. 963 00:46:39,647 --> 00:46:40,642 Oh. 964 00:46:40,647 --> 00:46:43,642 But have a seat, I'll check. Mister... 965 00:46:43,647 --> 00:46:45,647 Miles Daly. 966 00:46:46,647 --> 00:46:47,647 Thank you. 967 00:46:52,647 --> 00:46:53,647 (SIGHING) 968 00:47:03,647 --> 00:47:04,647 You an actress? 969 00:47:05,647 --> 00:47:09,642 Me? God, no. 970 00:47:09,647 --> 00:47:10,647 (CHUCKLES SOFTLY) 971 00:47:11,647 --> 00:47:13,642 I just figured anyone attractive 972 00:47:13,647 --> 00:47:14,647 in LA is an actress, 973 00:47:16,647 --> 00:47:17,642 but not in your case. 974 00:47:17,647 --> 00:47:19,642 No. (CHUCKLES SOFTLY) 975 00:47:19,647 --> 00:47:20,647 No. 976 00:47:24,647 --> 00:47:25,647 What do you do? 977 00:47:26,647 --> 00:47:27,642 I'm an executive. 978 00:47:27,647 --> 00:47:29,647 - No shit. - Yeah. 979 00:47:32,647 --> 00:47:33,647 (SOFTLY) What does that mean? 980 00:47:34,647 --> 00:47:37,642 - What's an executive? - Mmm-hmm. 981 00:47:37,647 --> 00:47:39,642 (CHUCKLES SOFTLY) Uh, well... 982 00:47:39,647 --> 00:47:43,647 I oversee producers who make films for my studio. 983 00:47:44,647 --> 00:47:45,642 Which is? 984 00:47:45,647 --> 00:47:46,642 Gravity Pictures International. 985 00:47:46,647 --> 00:47:48,647 - Oh, right. - Yeah. 986 00:47:53,647 --> 00:47:54,647 What do you do? 987 00:47:57,647 --> 00:47:59,620 I'm a film producer. 988 00:48:01,647 --> 00:48:03,642 As of three hours ago. 989 00:48:03,647 --> 00:48:04,647 (BOTH CHUCKLE) 990 00:48:06,647 --> 00:48:08,642 And, uh, how's that going? 991 00:48:08,647 --> 00:48:11,642 - Good. - Yeah? (CHUCKLES) 992 00:48:11,647 --> 00:48:13,642 GLADYS: Miss Quinn, you can go on in. 993 00:48:13,647 --> 00:48:15,647 Great. 994 00:48:17,647 --> 00:48:18,647 Well, good luck. 995 00:48:20,647 --> 00:48:22,642 Maybe we'll work together sometime. 996 00:48:22,647 --> 00:48:25,647 You never know. It's a small town. 997 00:48:28,647 --> 00:48:29,642 RICK: Ah, what a happy surprise. 998 00:48:29,647 --> 00:48:31,642 Come on, grab a seat. 999 00:48:31,647 --> 00:48:33,642 Oh, no, I'd love to stay, but I can't. 1000 00:48:33,647 --> 00:48:36,642 I just wanted to tell you I tried to move Tyler's work. 1001 00:48:36,647 --> 00:48:40,642 Made a dozen calls. At least two calls. 1002 00:48:40,647 --> 00:48:43,642 - And? - Oof. So many moving parts. 1003 00:48:43,647 --> 00:48:45,642 We've, uh, we've got a location in Minsk. 1004 00:48:45,647 --> 00:48:48,642 The Pentagon is loaning us a submarine. 1005 00:48:48,647 --> 00:48:50,642 So, you know, we got to get that back... 1006 00:48:50,647 --> 00:48:51,642 - April, sit, sit, sit, sit. - I can't, I... 1007 00:48:51,647 --> 00:48:53,642 No, just for a second. Come here. 1008 00:48:53,647 --> 00:48:54,642 Come on. 1009 00:48:54,647 --> 00:48:57,642 Sit down, all right. 1010 00:48:57,647 --> 00:48:59,642 Okay, I'm not happy saying this, 1011 00:48:59,647 --> 00:49:02,642 but just as your friend. 1012 00:49:02,647 --> 00:49:04,642 You don't want Tyler in your movie. 1013 00:49:04,647 --> 00:49:06,642 Why not? 1014 00:49:06,647 --> 00:49:07,642 Did you know he brings 1015 00:49:07,647 --> 00:49:10,642 gay prostitutes into the trailer? 1016 00:49:10,647 --> 00:49:12,642 Yes. 1017 00:49:12,647 --> 00:49:17,647 Okay. And he does hard drugs. 1018 00:49:18,647 --> 00:49:19,647 What kind? 1019 00:49:20,647 --> 00:49:22,647 What kind? Opium. 1020 00:49:23,647 --> 00:49:25,642 Yeah, he smokes it. 1021 00:49:25,647 --> 00:49:27,893 (SCOFFS) I know when you're bullshitting, Rick. 1022 00:49:27,899 --> 00:49:28,642 No, no. 1023 00:49:28,647 --> 00:49:29,642 I worked for you. 1024 00:49:29,647 --> 00:49:31,642 - I got to go to this screening now. - I'm not bullshitting. 1025 00:49:31,647 --> 00:49:34,642 Let's get lunch next week. No, no, no. Not next week. 1026 00:49:34,647 --> 00:49:35,642 I'm gonna have Marsha set it up, okay? 1027 00:49:35,647 --> 00:49:37,642 It was great to see you. 1028 00:49:37,647 --> 00:49:38,647 No, wait! 1029 00:49:43,647 --> 00:49:46,647 I, uh... I spent three years getting this film going. 1030 00:49:48,647 --> 00:49:51,642 I've nothing in development. 1031 00:49:51,647 --> 00:49:55,647 If... If I shut down now, I lose investors. 1032 00:50:03,647 --> 00:50:04,647 April... 1033 00:50:06,647 --> 00:50:07,647 Please. 1034 00:50:10,647 --> 00:50:12,647 I'm sorry. 1035 00:50:14,647 --> 00:50:15,647 I am. 1036 00:50:16,647 --> 00:50:18,647 But you'll figure it out. 1037 00:50:19,647 --> 00:50:20,647 I know you will. 1038 00:50:28,647 --> 00:50:30,647 - Take care. - Thank you. 1039 00:50:31,647 --> 00:50:32,647 See you. 1040 00:50:33,647 --> 00:50:34,647 Bye. 1041 00:50:40,647 --> 00:50:41,647 (CLEARS THROAT) 1042 00:50:42,647 --> 00:50:43,642 Any word? 1043 00:50:43,647 --> 00:50:45,642 Like I said, he's got a full schedule. 1044 00:50:45,647 --> 00:50:46,647 Oh. 1045 00:50:47,647 --> 00:50:48,642 I'll give him a try. 1046 00:50:48,647 --> 00:50:50,647 I appreciate that. 1047 00:51:01,647 --> 00:51:02,642 Is that him? 1048 00:51:02,647 --> 00:51:04,642 Uh... 1049 00:51:04,647 --> 00:51:05,647 Okay. 1050 00:51:13,647 --> 00:51:16,642 Mr. Moreweather, I'm sure you're really busy. 1051 00:51:16,647 --> 00:51:18,642 But I have a script I just know you're gonna love. 1052 00:51:18,647 --> 00:51:19,642 Leave it with Gladys. Please. 1053 00:51:19,647 --> 00:51:21,642 It's quicker if I just tell you about it. 1054 00:51:21,647 --> 00:51:24,642 So the story takes place in the olden days, in Europe. 1055 00:51:24,647 --> 00:51:26,642 And there's this young guy, an Irish guy actually. 1056 00:51:26,647 --> 00:51:28,642 And he's in love with this beautiful girl. 1057 00:51:28,647 --> 00:51:31,642 But he loses her because he has to go to war. 1058 00:51:31,647 --> 00:51:33,642 And he sees some terrible shit. 1059 00:51:33,647 --> 00:51:36,642 And he does some terrible shit. 1060 00:51:36,647 --> 00:51:37,642 And by the time he comes home looking for her, 1061 00:51:37,647 --> 00:51:40,642 he's too fucked up in the head to connect. 1062 00:51:40,647 --> 00:51:42,642 So he needs to find that part of himself 1063 00:51:42,647 --> 00:51:44,647 that remembers how to love. 1064 00:51:46,647 --> 00:51:48,647 And you know, there's funny bits. 1065 00:51:51,647 --> 00:51:54,647 - Who are you? - Miles Daly. 1066 00:51:57,647 --> 00:51:58,642 Did you eat off it? 1067 00:51:58,647 --> 00:52:03,642 Look, Miles, it's a bad time. Thanks. 1068 00:52:03,647 --> 00:52:05,642 Listen, Rick. 1069 00:52:05,647 --> 00:52:09,642 I'd produce this myself, but I've never done it before. 1070 00:52:09,647 --> 00:52:10,642 And I thought, who'd be into this? 1071 00:52:10,647 --> 00:52:12,642 Rick fuckin' Moreweather. 1072 00:52:12,647 --> 00:52:14,642 So I do the legwork, you advise me. 1073 00:52:14,647 --> 00:52:16,647 And we split the profits. 1074 00:52:19,647 --> 00:52:22,642 Listen. I make straight-to-video movies. 1075 00:52:22,647 --> 00:52:24,642 Budgets of 5 to 10 million. 1076 00:52:24,647 --> 00:52:27,642 Stuff that sells in Germany and Japan. 1077 00:52:27,647 --> 00:52:30,642 I can't finance a period drama. 1078 00:52:30,647 --> 00:52:32,647 If I did, I'd lose my shirt. 1079 00:52:36,647 --> 00:52:37,647 (ENGINE STARTS) 1080 00:52:41,647 --> 00:52:42,647 Best of luck. 1081 00:52:44,647 --> 00:52:45,647 I mean that. 1082 00:53:02,647 --> 00:53:03,647 (PHONE RINGING) 1083 00:53:08,647 --> 00:53:11,642 Hey. Everything all right? 1084 00:53:11,647 --> 00:53:13,642 I haven't seen Yago. 1085 00:53:13,647 --> 00:53:15,647 But we got work at the warehouse. 1086 00:53:16,647 --> 00:53:17,642 Can it keep a few hours? 1087 00:53:17,647 --> 00:53:20,642 LOUIS: (ON PHONE) I guess so. 1088 00:53:20,647 --> 00:53:23,642 Amara met with a new business partner. 1089 00:53:23,647 --> 00:53:24,642 Didn't work out. 1090 00:53:24,647 --> 00:53:26,642 MILES: (ON PHONE) Who? 1091 00:53:26,647 --> 00:53:29,642 Potential front for our cash, now that Jason's gone. 1092 00:53:29,647 --> 00:53:30,647 That's what Ed told me. 1093 00:53:31,647 --> 00:53:33,642 So what happened? 1094 00:53:33,647 --> 00:53:35,642 LOUIS: I don't know. Where are you, anyway? 1095 00:53:35,647 --> 00:53:37,642 I'm heading back from LA. 1096 00:53:37,647 --> 00:53:39,642 LOUIS: LA? Why the fuck are you in LA? 1097 00:53:39,647 --> 00:53:40,642 I'll tell you when I get there. 1098 00:53:40,647 --> 00:53:42,647 LOUIS: What is in... 1099 00:54:30,647 --> 00:54:32,647 (INDISTINCT CHATTER) 1100 00:54:37,647 --> 00:54:40,647 Amara. Is this a bad time? 1101 00:54:42,647 --> 00:54:44,642 For what? 1102 00:54:44,647 --> 00:54:47,642 Uh, I just wanted to talk over something with you. 1103 00:54:47,647 --> 00:54:49,647 An idea. 1104 00:54:50,647 --> 00:54:51,647 In the car. 1105 00:55:02,647 --> 00:55:06,647 Ah. You're in front. 1106 00:55:07,647 --> 00:55:09,647 Oh, I'm not angry. 1107 00:55:10,647 --> 00:55:12,642 - No? - (CHUCKLES) No. 1108 00:55:12,647 --> 00:55:14,647 It's water under the bridge. 1109 00:55:15,647 --> 00:55:16,647 Get in. 1110 00:55:17,647 --> 00:55:21,642 You know, uh, we can always do this later. 1111 00:55:21,647 --> 00:55:23,647 I should really get to the warehouse. 1112 00:55:24,647 --> 00:55:25,647 We drop you off. 1113 00:55:32,647 --> 00:55:33,647 (ENGINE STARTS) 1114 00:55:55,647 --> 00:55:57,647 (WHISPERING) 1115 00:56:01,647 --> 00:56:02,647 (SIRENS WAILING) 1116 00:56:09,647 --> 00:56:11,647 So? 1117 00:56:12,647 --> 00:56:14,647 So, um... 1118 00:56:15,647 --> 00:56:19,642 Yeah, uh, I know we're not running cash 1119 00:56:19,647 --> 00:56:22,642 through the casino, because of the Feds. 1120 00:56:22,647 --> 00:56:25,642 And I heard the new guy didn't work out. 1121 00:56:25,647 --> 00:56:27,642 But I met a producer in LA. 1122 00:56:27,647 --> 00:56:29,642 He makes movies, nothing you'd have heard of. 1123 00:56:29,647 --> 00:56:32,642 He had investors who front the money, 1124 00:56:32,647 --> 00:56:35,642 maybe 5 to 10 million per movie. 1125 00:56:35,647 --> 00:56:37,642 And he sells it overseas. 1126 00:56:37,647 --> 00:56:39,642 And I thought, 1127 00:56:39,647 --> 00:56:42,647 could be a good way to make your cash flow legit. 1128 00:56:46,647 --> 00:56:48,647 I don't understand. 1129 00:56:51,647 --> 00:56:52,647 Um... 1130 00:56:56,647 --> 00:57:02,642 You'd finance one of his movies as a silent partner. 1131 00:57:02,647 --> 00:57:04,642 And he'd sell it, you'd recoup. 1132 00:57:04,647 --> 00:57:06,642 You'd pay tax on those earnings, 1133 00:57:06,647 --> 00:57:08,642 but that money, 1134 00:57:08,647 --> 00:57:10,647 all of that money, would be clean. 1135 00:57:18,647 --> 00:57:19,647 And this is your idea? 1136 00:57:22,107 --> 00:57:23,107 Yeah. 1137 00:57:30,647 --> 00:57:31,647 What movie? 1138 00:58:15,647 --> 00:58:16,647 I like John Stamos. 1139 00:58:20,647 --> 00:58:21,647 Excuse me? 1140 00:58:22,647 --> 00:58:24,647 AMARA: You know John Stamos? 1141 00:58:27,647 --> 00:58:29,642 The actor? 1142 00:58:29,647 --> 00:58:30,647 Could he be in this? 1143 00:58:31,647 --> 00:58:34,647 Yeah, definitely. 1144 00:58:36,647 --> 00:58:37,647 Good idea. 1145 00:58:42,647 --> 00:58:43,647 (PAPERS RUSTLING) 1146 00:58:46,647 --> 00:58:47,647 I'll think about it. 1147 00:58:51,281 --> 00:58:53,276 Great. 1148 00:58:53,647 --> 00:58:54,647 (DRUM MUSIC PLAYING) 1149 00:59:39,647 --> 00:59:43,647 LOUIS: It's such an unbelievably terrible idea. 1150 00:59:45,647 --> 00:59:47,647 I... I really don't know what to say. 1151 00:59:48,647 --> 00:59:50,642 You'll be in business with Amara? 1152 00:59:50,647 --> 00:59:52,642 Maybe. 1153 00:59:52,647 --> 00:59:53,647 How'd that work out for him? 1154 00:59:55,647 --> 01:00:00,647 Hey, buddy. Do you think this is a good idea? 1155 01:00:05,647 --> 01:00:08,642 Everybody in show business has a different story 1156 01:00:08,647 --> 01:00:09,642 about how they broke in. 1157 01:00:09,647 --> 01:00:12,642 Maybe this is our way. 1158 01:00:12,647 --> 01:00:13,647 - "Our" way? - Yeah. 1159 01:00:14,647 --> 01:00:16,642 No, no. No. No. 1160 01:00:16,647 --> 01:00:18,647 You know what, I don't even wanna hear about this. 1161 01:00:20,647 --> 01:00:25,642 You know, when it's you on that tarp, 1162 01:00:25,647 --> 01:00:28,647 I am gonna be sad, but it won't be me. 1163 01:00:30,647 --> 01:00:32,647 I'm gonna make a call. 1164 01:00:34,647 --> 01:00:36,647 (DIALING) 1165 01:00:37,647 --> 01:00:38,647 (LINE RINGING) 1166 01:00:39,647 --> 01:00:40,642 EMMA: (ON PHONE) Hi. 1167 01:00:40,647 --> 01:00:42,642 Hey! Just saying good night. 1168 01:00:42,647 --> 01:00:45,642 And how amazing you were in your play. 1169 01:00:45,647 --> 01:00:46,642 Thanks. (CHUCKLES SOFTLY) 1170 01:00:46,647 --> 01:00:47,642 Speaking of which, I told you I was going 1171 01:00:47,647 --> 01:00:49,642 to Hollywood, right? 1172 01:00:49,647 --> 01:00:54,642 Well, I met an actor and, uh, and a writer and a producer. 1173 01:00:54,647 --> 01:00:55,642 Where? 1174 01:00:55,647 --> 01:00:57,647 MILES: Uh, people like that are all over LA. 1175 01:00:58,647 --> 01:00:59,642 KATIE: Who's that? 1176 01:00:59,647 --> 01:01:00,642 It's Dad. 1177 01:01:00,647 --> 01:01:02,647 Well, tell him you're going to bed. 1178 01:01:03,647 --> 01:01:04,647 Bye, Mom. 1179 01:01:06,647 --> 01:01:08,642 Hey, um, I gotta go. 1180 01:01:08,647 --> 01:01:11,642 And I'm sorry about Jeffrey. I... I didn't know. 1181 01:01:11,647 --> 01:01:13,642 MILES: Listen... 1182 01:01:13,647 --> 01:01:14,642 (SMACKS LIPS) Me and your mom are having 1183 01:01:14,647 --> 01:01:15,642 a few little issues at the moment. 1184 01:01:15,647 --> 01:01:16,642 But I have a feeling that 1185 01:01:16,647 --> 01:01:18,647 everything's gonna work out fine. 1186 01:01:20,647 --> 01:01:21,647 Night, shorty. 1187 01:01:23,647 --> 01:01:24,647 Love you. 1188 01:01:26,647 --> 01:01:27,647 Love you, too. 1189 01:01:45,647 --> 01:01:47,647 (MUSIC PLAYING) 1190 01:01:48,112 --> 01:01:51,985 - Synced and Corrected by Dragoniod - www.addic7ed.com 1191 01:01:52,035 --> 01:01:56,585 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0